Sirui Venus 50mm T2.9 1.6x Anamorphic Lens Online Buy Mumbai India 01
Sirui Venus 50mm T2.9 1.6x Anamorphic Lens

178,000

178,000

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Sirui Venus 50mm T2.9 1.6x Anamorphic Lens

178,000

  • Focal Length : 50mm
  • Maximum Aperture : T/2.9
  • Lens Mount : Canon RF / L Mount / Sony E / Nikon Z
  • Squeeze Factor : 1.6
  • Format Compatibility : Full Frame
  • Focus Type : Manual Focus
  • Filter Size : 82 mm
  • Warranty : Sirui India 1 Year Warranty
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Sirui Venus 50mm T2.9 1.6x Anamorphic Lens

In The Box

  • Sirui Venus 50mm T2.9 1.6x Anamorphic Lens
  • Front Lens Cap
  • Rear Lens Cap

Features

  • Wider Than Wider
    This lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you’ll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.
    Shot on 3:2, desqueeze to 2.4:1 aspect ratio
    Shot on 16:9, desqueeze to 2.8:1 aspect ratio
  • Frame as you Like
    Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.
  • What You Get is What You See
    As the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we did expect from a 31mm regular lens and the super organic background blur, which help render your storytelling much more nuanced and engaging.
  • Beautiful Oval Bokeh
    This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.
  • Vibrant Lens Flares
    Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.
  • A Maximum Aperture of T2.9
    When shooting wide open at T2.9 with the focus concentrating on the subject, you’ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
  • Cine Lens Housing
    This lens looks super sleek as the whole barrel is built up of aluminum alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4″ screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup.
  • Match Perfectly with Full Frame Cameras
    This model comes in native mount for RF, L, E, Z mount camera systems, compatible with such full frame cameras as Panasonic S1H, RED KOMODO, RED V-RAPTOR ST, Canon R5, C70, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situation.
Brand

Sirui

Mounts: Canon RF

Canon RF, Leica L, Nikon Z, Sony E

Specification

  • Focal Length : 50mm
  • Lens Mount : Canon RF / L Mount / Sony E / Nikon Z
  • Format : Full Frame
  • Squeeze Factor : 1.6x
  • Equivalent Focal Length Horizontally : 31mm
  • Max Aperture : T/2.9
  • Lens Structure : 16 Elements in 13 Groups
  • Aperture Blades : 10
  • Minimum Focus Distance : 0.75 m
  • Rotation Angle of the Focus Ring : 95.5°
  • Filter Thread : 82 mm
  • Length (mm/inches) : Approximately 140/5.51
  • Weight (g/lbs) : Approximately 1030.6/2.27

Customer Reviews

Based on 1 review
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VENKITACHALAM R
A happy, proud and satisfied owner of the Sirui 50mm T2.9 Full frame anamorphic lens

The passion
A reignited passion for shooting (with a camera) became an obsession and the dive to deeper waters started a few months back
Once I started to shoot videos, I felt the need for a wide angle lens of about 28mm (full frame). However I disliked the perspective of a wide angle lens digest the perspective of that focal length. Oh why not try anamorphic lenses? Well. There are a few options. 1. Lenses that cost from USD300000 to USD90000.00. 2. Save money (?) by going for the projector lens, dozens of adapters, dioptres and engaged for the rest of your life with fiddling with the unwieldy set up and go through the hazels of double focus. Still upward of USD 3000.00. And the additional cost of a taking lens of over 85mm focal length. Again the problem of the camera mounts. I needed the Leica L mount. And a lens that will cover the full frame sensor. 3. Factory made, affordable anamorphic lens.
The solution?
Got down to the Sirui 50mm full frame anamorphic lens priced at about USD1500 plus tax. Still cheaper than the nearest competitor by more than USD500.00. Finally took the plunge and placed my order. Right from the initial questions to the final delivery of the product, the team Sirui in India did a wonderful job. One of the most pleasant buying experiences in my life. The Sirui team assisted me by patiently answering and clarifying every question and doubt that I raised, and once I placed my order, they delivered the product in record time of two days. Five out of Five stars for the customer service. Thank you Team Sirui India
The lens.
Built like a tank. Rock solid. Bomb proof. Etc.etc. etc..... A solid build of a cine lens. Everything that one want in an anamorphic cine lens is here. Smooth “click less” aperture ring, buttery smooth focus ring, “t” stops.. Yes everything for a cine lens. The Sirui claimed horizontal angle of view equal to a 31mm regular lens is very close to the 28mm wide angle lens that I planned to buy but did not due to the perspective issues. Sirui has indeed done their homework well while designing this lens. From a few test clips I can honestly say that the lens is a keeper. I recommend this lens to anyone who is serious about anamorphic shooting and has a full frame camera.

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